Tamino is a noble prince on a quest. He discovers strange lands, inhabited by wondrous creatures - scary women, wise children and even a bird man - but that is not what he is looking for. Will Tamino finally discover the truth? And will he find true love?.... So basically Tamino sets off on this epic quest to save the Princess Pamina with his trusty mate Papageno who is the bird man. Along the way he comes across some spirit children, a brotherhood, an evil queen (Pamina's mother), and three women who I didn't really understand.
But aside from this - IT ACTUALLY BLEW MY MIND. I'm not even being paid by Opera Australia to say this (not like they would, how many people actually read this blog haha). So I might not have understood the plot as well as I would have liked, but this production boasted the most phenomenal visuals I have ever encountered. The set design was a versatile engineering masterpiece, which transforrmed seamlessly into countless different settings. The great thing about it was the postmodern element of it not trying to replicate where they were, just using a simple shape or something to represent it.
The other thing was the costumes and make up. I don't even have words, so absolutely fantastic. The Chorus wore these fantastic geometric gowns with diamond shaped headdresses alluding to a nuns veil. The protagonists all wore carefully constructed costumes which accurately represented both the shown side of the character as well as their inner traits.
There was a tenuous mix of Asian, Ancient Egyptian and Western influences in the costuming, makeup and set design, which came through well. The use of silk and yellow fabrics as well as kimono shaped garments alluded to Asia, while tall headwear, the use of staffs and hieroglyphic-like symbols was reminiscent of the numerous times I've done projects on Ancient Egypt.
There was also an extremely clever use of puppeteering and interaction with the stagehand-like figures. This well thought out crafting resulted in floaty polar bears that towered over the characters, flying spirit children, a giant serpent slithering about the stage, and larger-than-life, flirty, ballet dancing birds.
Credit must also be paid to the Queensland Symphony Orchestra, who never fail to disappoint anyway. They performed Mozart the way it ought to be, giving an absolutely spellbinding sound to the entire production.
Also we got dinner at the bistro beforehand and I got the wrong meal. Just saying.


